<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-18734842</id><updated>2010-02-17T12:39:09.034-05:00</updated><title type='text'>Paul Rodgers/9W</title><subtitle type='html'></subtitle><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default?start-index=26&amp;max-results=25'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://paulrodgers9w.com/blog/atom.xml'/><author><name>Perry</name><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>58</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-18734842.post-5938931240092883202</id><published>2010-02-12T14:31:00.005-05:00</published><updated>2010-02-17T12:39:09.044-05:00</updated><title type='text'></title><summary type='text'>Artforum Magazine has published a review by Rosalind Krauss of Peter Sacks' "Painting" exhibition in their February 2010 issue."Peter Sacks: Paul Rodgers / 9W" by Rosalind Krauss"These textual scrolls overlie a mixture of fabrics and corrugated board, the whole given a luminous sheen by washes of white acrylic. Their surfaces radiate the character of monochromes steamrolling over the thickened </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5938931240092883202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5938931240092883202'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2010/02/artforum-magazine-has-published-review.html' title=''/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-1182332320693250515</id><published>2009-11-21T11:47:00.006-05:00</published><updated>2009-11-21T12:11:57.269-05:00</updated><title type='text'>Peter Sacks- Artforum.com</title><summary type='text'>Artforum.com published a review of Peter Sacks' "Paintings" Exhibition, in the "Critics Picks" column.Peter Sacks: "Paintings", by Leora Maltz-Leca"They are 'critical' Kantian paintings in this sense, although ones concerned less with cognitive bounds than with the multidimensional cartographies of consciousness that lie between, that is, with painting spinning thoughts and their unraveling. The </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/1182332320693250515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/1182332320693250515'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2009/11/peter-sacks-artforumcom.html' title='Peter Sacks- Artforum.com'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-5056502009923694004</id><published>2009-09-20T00:53:00.005-04:00</published><updated>2009-11-21T12:04:58.289-05:00</updated><title type='text'>Peter Sacks: Paintings</title><summary type='text'> Opening Reception: Thursday, October 29, 6-8 p.m.Paul Rodgers / 9W Gallery is pleased to announce "Paintings", an exhibition by American painter Peter Sacks. The exhibition consists of painting and collage in mixed media and in a variety of formats which extend to the monumental. The exhibition will be accompanied by a catalogue, commissioned by the gallery, with full color illustrations, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5056502009923694004'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5056502009923694004'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2009/09/peter-sacks-paintings.html' title='Peter Sacks: Paintings'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-564723083270646115</id><published>2009-05-21T15:04:00.014-04:00</published><updated>2009-11-21T12:04:04.994-05:00</updated><title type='text'>Joseph Marioni - 'Contemplation Room' at Art Basel</title><summary type='text'>Joseph Marioni exhibited a special installation at the Art Unlimited pavilion of the 2009 Basel Art Fair. A reception was held on Monday, June 8th.Marioni has conceived this special project as a model for painting environments that he proposes to create in specific public and private spaces. The unique element in Marioni's vision is that his paintings will be created on site and in an encounter </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/564723083270646115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/564723083270646115'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2009/05/joseph-marioni-contemplation-room-at.html' title='Joseph Marioni - &apos;Contemplation Room&apos; at Art Basel'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-5322802717450690366</id><published>2009-03-27T15:07:00.005-04:00</published><updated>2009-03-27T15:40:41.998-04:00</updated><title type='text'>Lucinda Devlin - Lapham's Quarterly</title><summary type='text'>Lapham's Quarterly, in their Spring 2009"Crimes &amp; Punishments" issue, featured Lucinda Devlin's photo Electric Chair, Holman Unit, Atmore, Alabama, 1991 from 'The Omega Suites.'  The photo was featured inside the article "Staking a Life" writen by Christopher Hitchens. To read the article, please click here.To see more of Lucinda Devlin's work, please visit the artist's page.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5322802717450690366'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5322802717450690366'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2009/03/lucinda-devlin-laphams-quarterly.html' title='Lucinda Devlin - Lapham&apos;s Quarterly'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-7418897840546118807</id><published>2008-12-31T17:47:00.010-05:00</published><updated>2009-11-21T10:44:48.946-05:00</updated><title type='text'>Simon Hantai  - Wall Street Journal</title><summary type='text'>The Wall Street Journal published an article about Simon Hantai and his son, harpsichordist and renowned musician, Pierre Hantai on December 31th, in the Life &amp; Style section.To read the article, please click hereThe Creative HarpsichordistBy BENJAMIN IVRY"Pierre Hantai's father is the French painter, Simon Hantai,one of the rare cases in history of a great painter siring a great musician" ...To </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/7418897840546118807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/7418897840546118807'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2009/01/simon-hanta-wall-street-journal.html' title='Simon Hantai  - Wall Street Journal'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-6062310474909867340</id><published>2008-12-30T14:15:00.003-05:00</published><updated>2009-11-21T10:43:26.334-05:00</updated><title type='text'>Simon Hantai - Art in America</title><summary type='text'>Art in America published an obituary about Simon Hantai, written by Raphael Rubenstein, Art World section, in their December 2008 issue. To read this notice, please click here"...Hantai is hardly the only important Parisian artist to be ignored by the American art world since the so-called triumph of American painting, but he is, arguably, one of the most unfairly overlooked..."To read other </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/6062310474909867340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/6062310474909867340'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/12/simon-hanta-art-in-america.html' title='Simon Hantai - Art in America'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-8218997815649622405</id><published>2008-10-30T11:34:00.008-04:00</published><updated>2009-03-27T15:37:05.862-04:00</updated><title type='text'>Joseph Marioni at the McNay</title><summary type='text'>ARTMATTERS 13 - Joseph Marioni: Liquid LightOctober 22, 2008 - January 18, 2009Organized by the McNay, this exhibition features the lush, nearly monochromatic, light-filled paintings of New York based artist Joseph Marioni, drawn primarily from the artist's personal collection and installed according to his designs. The presentation is part of ARTMATTERS, a series of exhibitions that has recently</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8218997815649622405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8218997815649622405'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/10/joseph-marioni-at-mcnay.html' title='Joseph Marioni at the McNay'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-612597617080610266</id><published>2008-09-22T14:53:00.022-04:00</published><updated>2009-11-21T10:43:55.639-05:00</updated><title type='text'>Simon Hantai Dies at 85</title><summary type='text'>EUROPEAN ARTIST, SIMON HANTAI(BORN BUDAPEST 1922/TO PARIS 1948)IS DEAD AT AGE EIGHTY FIVE Simon HantaI, artist of legendary reclusion, who nevertheless enjoyed almost mythical status in the French art world and a major position in the Pompidou Center's account of post-World War Two art, died in his sleep during the night of Thursday, September 11, at his home in the 14th arrondissement of </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/612597617080610266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/612597617080610266'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/10/simon-hantai-dies-at-85-new-york-times.html' title='Simon Hantai Dies at 85'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-7061037799779643582</id><published>2008-09-05T16:08:00.006-04:00</published><updated>2009-01-06T15:00:57.992-05:00</updated><title type='text'>Joseph Marioni - "Painting in the 21st Century"</title><summary type='text'>Joseph Marioni participates in discourse symposium on "Painting in the 21st Century" at The Phillips Collection, September 27th 2008Engage in a discussion of contemporary art criticism and theory:Elisabeth Sussman, curator of photography at the Whitney Museum of American Art;Blake Gopnik, chief art critic of The Washington Post; art history professors Yves-Alain Bois (Harvard University), Stephen</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/7061037799779643582'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/7061037799779643582'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/09/joseph-marioni-to-participate-in.html' title='Joseph Marioni - &quot;Painting in the 21st Century&quot;'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-6502248493611412747</id><published>2008-08-08T16:12:00.000-04:00</published><updated>2008-10-02T16:54:43.351-04:00</updated><title type='text'>Lucinda Devlin Images featured in "The Issues Issue" FLAUNT magazine</title><summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "The Omega Suites" series were used in Flaunt Magazine "Issues Issue"</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/6502248493611412747'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/6502248493611412747'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/08/lucinda-devlin-images-featured-in.html' title='Lucinda Devlin Images featured in &quot;The Issues Issue&quot; FLAUNT magazine'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-2926354111107791094</id><published>2008-06-18T11:26:00.004-04:00</published><updated>2009-01-06T15:02:28.693-05:00</updated><title type='text'>Lucinda Devlin in EXIT</title><summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from Ludinda Devlin's "Pleasure Ground" series was used in EXIT media issue 29 Peepshow.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2926354111107791094'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2926354111107791094'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/06/lucinda-devlin-in-exit.html' title='Lucinda Devlin in EXIT'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-5241341076365947886</id><published>2008-01-12T17:36:00.000-05:00</published><updated>2008-01-12T17:51:34.464-05:00</updated><title type='text'>Lucinda Devlin "Omega Suites" in Time Magazine</title><summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "Omega Suites" series was used to illustrate the article "Death Penalty Walking"by David Von Drehle in the January 14, 2008 issue of Time Magazine.To view the article click here</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5241341076365947886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/5241341076365947886'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2008/01/lucinda-devlin-omega-suites-in-time.html' title='Lucinda Devlin &quot;Omega Suites&quot; in Time Magazine'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-2125505532127757798</id><published>2007-10-18T16:46:00.000-04:00</published><updated>2007-10-18T16:54:25.075-04:00</updated><title type='text'>Lucinda Devlin Images included in 'Again' exhibit at the Wadsworth Antheneum</title><summary type='text'>Paul Rodgers/9W gallery is pleased to announce the inclusion of several images from Lucinda Devlin's series 'Omega Suite' in the current exhibition  Again: Serial Practices in Contemporary Art at the Wadsworth Atheneum Museum of Art.On view September 22-December 30, 2007, this exhibition features works from the Micky Cartin collection gifted in recent years.To find out more about the exhibition </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2125505532127757798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2125505532127757798'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/10/lucinda-devlin-images-included-in-again.html' title='Lucinda Devlin Images included in &apos;Again&apos; exhibit at the Wadsworth Antheneum'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-8505485200381505729</id><published>2007-07-31T13:30:00.000-04:00</published><updated>2007-08-01T12:01:35.641-04:00</updated><title type='text'>A Place Without A Place</title><summary type='text'>Group show with Lucinda Devlin and Lynne CohenPaul Rodgers/9W gallery is pleased to announce the current exhibition of the 1st Biennale of the Thessaloniki Contemporary Art including the work of Lucinda Devlin in the exhibit A Place Without A Place. The Show held at the Photography Museum of Thessaloniki looks at interior spaces as subject matter for photography. The show also features the work </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8505485200381505729'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8505485200381505729'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/07/place-without-place-group-show-with.html' title='A Place Without A Place'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-6335004822021726788</id><published>2007-07-05T11:19:00.001-04:00</published><updated>2007-10-18T16:46:05.789-04:00</updated><title type='text'>Lucinda Devlin Images in Telegraph Magazine</title><summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "Omega Suites" series was used to illustrate the article  "Lethal Care"by Atul Gawande   in the June 2, 2007 issue of Telegraph Magazine.To view the article click here</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/6335004822021726788'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/6335004822021726788'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/07/lucinda-devlin-images-in-telegraph.html' title='Lucinda Devlin Images in Telegraph Magazine'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-2253041012280901482</id><published>2007-06-08T12:32:00.000-04:00</published><updated>2007-06-08T14:10:46.184-04:00</updated><title type='text'>Lucinda Devlin Water Rites Reviewed</title><summary type='text'>along with exhibitions of: Stephen Shore, Andreas Gursky, Jeff Wall, Gregory Crewdson, David LaChapelle, Barry Frydlender, Kelli Connell, and Zoe Strauss.Paul Rodgers/9W gallery is pleased to announce that the recent show Water Rites, (April 19-May 26, 2007) was an Editors' Pick on Artinfo.comTo read part one of the article click hereTo read part two of the article click hereExpo -und </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2253041012280901482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2253041012280901482'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/06/lucinda-devlin-water-rites-reviewed.html' title='Lucinda Devlin Water Rites Reviewed'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-8897153344423595780</id><published>2007-05-15T11:40:00.002-04:00</published><updated>2008-06-18T11:43:33.528-04:00</updated><title type='text'>Lucinda Devlin in EXIT</title><summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "The Omega Suites" series were used in EXIT media issue 26 Prison.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8897153344423595780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8897153344423595780'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/05/lucinda-devlin-in-exit.html' title='Lucinda Devlin in EXIT'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-4028735055299758238</id><published>2007-05-05T17:27:00.000-04:00</published><updated>2007-05-05T17:37:16.351-04:00</updated><title type='text'>Tomer Ganihar at the 52nd  Venice Biennale</title><summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the inclusion of work by Tomer Ganihar in the 52nd Venice Biennale.  His work will be in the group exhibition "Think with the Senses - Feel with the Mind. Art in the Present Tense" curated by Biennale director and curator Robert Storr.The show will be displayed in Corderie, the Arsenale Artiglierie and the Italian pavilion in the Giardini from June </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/4028735055299758238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/4028735055299758238'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/05/tomer-ganihar-at-52nd-venice-biennale.html' title='Tomer Ganihar at the 52nd  Venice Biennale'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-8160218098137227449</id><published>2007-03-30T10:40:00.000-04:00</published><updated>2007-03-30T10:48:43.172-04:00</updated><title type='text'>Lucinda Devlin group show, New York</title><summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the inclusion of three images from Lucinda Devlin's "Omega Suites" in the group show Death Bizarre at the Center for Photography at Woodstock.For more information on the show please click here</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8160218098137227449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/8160218098137227449'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/03/lucinda-devlin-group-show-new-york.html' title='Lucinda Devlin group show, New York'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-2797486277102340360</id><published>2007-03-30T10:19:00.000-04:00</published><updated>2007-03-30T10:27:02.207-04:00</updated><title type='text'>Lucinda Devlin group show, London</title><summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the inclusion of Lucinda Devlin's work "Lethal Injection Chamber from Family Witness Room, Parchman, Mississippi, 1998" from her "Omega Suites" in the exhibition Prison at Bloomberg SPACE. Prison will be on view March 31st- May 12th 2007 at Bloomberg SPACE, Finsbury Square, London EC2A 1PQ.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2797486277102340360'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/2797486277102340360'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/03/lucinda-devlin-group-show-london.html' title='Lucinda Devlin group show, London'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-1448441427865673249</id><published>2007-03-16T16:45:00.000-04:00</published><updated>2007-03-16T16:50:38.809-04:00</updated><title type='text'>Lucinda Devlin "Water Rites"</title><summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the upcoming exhibition of Lucinda Devlin's " "Water Rites".  A series that explores the bathhouses and spas of Germany. To read the press release click here. </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/1448441427865673249'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/1448441427865673249'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/03/lucinda-devlin-water-rites.html' title='Lucinda Devlin &quot;Water Rites&quot;'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-1136110942514361574</id><published>2007-03-16T16:37:00.000-04:00</published><updated>2007-03-16T16:45:20.960-04:00</updated><title type='text'>Lucinda Devlin Images in The NY Times Magazine</title><summary type='text'>Paul Rodgers/9W is pleased to announce that selection from her "Omega Suites" series were used to illustrate the article "The Needle and the Damage Done" in The New York Times Magazine, February 11, 2007 by Elizabeth Weil.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/1136110942514361574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/1136110942514361574'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2007/03/lucinda-devlin-images-in-ny-times.html' title='Lucinda Devlin Images in The NY Times Magazine'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-115645392441319656</id><published>2006-08-24T17:05:00.000-04:00</published><updated>2006-08-24T17:14:16.360-04:00</updated><title type='text'>Lucinda Devlin article in the New York Sun</title><summary type='text'>Paul Rodgers/9W is pleased to announce that Lucinda Devlin's recent show at the gallery has been reviewed in the NewYork Sun. Click here to check out the show or read the review.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/115645392441319656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/115645392441319656'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2006/08/lucinda-devlin-article-in-new-york-sun.html' title='Lucinda Devlin article in the New York Sun'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry><entry><id>tag:blogger.com,1999:blog-18734842.post-115340799505593099</id><published>2006-07-20T11:01:00.000-04:00</published><updated>2006-07-20T11:06:35.083-04:00</updated><title type='text'>Angelbert Metoyer Graces Cover of Callaloo Journal</title><summary type='text'>Paul Rodgers/9W Gallery is pleased to announce that Angelbert Metoyer's "Rowan's Song" has been featured on the cover of the  premier African and African-American literary journal Callaloo, which publishes original works by, and critical studies of, black writers worldwide. The journal offers a rich mixture of fiction, poetry, plays, critical essays, cultural studies, interviews, and visual art, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/115340799505593099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/18734842/posts/default/115340799505593099'/><link rel='alternate' type='text/html' href='http://paulrodgers9w.com/blog/2006/07/angelbert-metoyer-graces-cover-of.html' title='Angelbert Metoyer Graces Cover of Callaloo Journal'/><author><name>Paul Rodgers</name><uri>http://www.blogger.com/profile/09949186813571893564</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='10865292907967052648'/></author></entry></feed>