<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:thr='http://purl.org/syndication/thread/1.0' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-18734842</atom:id><lastBuildDate>Tue, 20 Apr 2010 17:51:22 +0000</lastBuildDate><title>Paul Rodgers/9W</title><description></description><link>http://paulrodgers9w.com/blog/</link><managingEditor>noreply@blogger.com (Perry)</managingEditor><generator>Blogger</generator><openSearch:totalResults>62</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-3259591429696325575</guid><pubDate>Tue, 20 Apr 2010 17:42:00 +0000</pubDate><atom:updated>2010-04-20T13:51:22.514-04:00</atom:updated><title>Simon Hantai - Time Out New York</title><atom:summary type='text'>APRIL 17, 2010TIME OUT NEW YORKThe French  Conceptualist’s paintings are surprisingly gestural, despite the absence  of traditional artistic touch.   By Anne Doran Read more: http://newyork.timeout.com/articles/art/84596/simon-hantai-at-paul-kasmin-gallery-art-review#ixzz0lfDfGIYa</atom:summary><link>http://paulrodgers9w.com/blog/2010/04/simon-hantai-time-out-new-york.html</link><author>noreply@blogger.com (Paul Rodgers)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_HmGRqxTOX8Y/SNzgb0W-mGI/AAAAAAAAAvk/sA2g3ah7Om4/s72-c/Time_Out_Logo.jpg' height='72' width='72'/></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-8650123008723062249</guid><pubDate>Tue, 20 Apr 2010 17:30:00 +0000</pubDate><atom:updated>2010-04-20T13:51:00.864-04:00</atom:updated><title>Simon Hantai - Artnet Magazine</title><atom:summary type='text'>APRIL 19, 2010Artnet MagazinePLIAGE   &lt;!--author--&gt;by Joe Fyfe"In pliage, the painting's canvas surface, previously treated with poetic  delicacy, was instead subjected to a methodical violence: scattering  blobs of black paint over its face, letting it dry, crunching it up,  painting on it more before it was mounted. Most importantly, pliage  became a kind of painting method that could be </atom:summary><link>http://paulrodgers9w.com/blog/2010/04/simon-hantai-artnet-magazine.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-4642453568066243392</guid><pubDate>Thu, 15 Apr 2010 17:45:00 +0000</pubDate><atom:updated>2010-04-15T14:11:12.549-04:00</atom:updated><title>SImon Hantai - Bloomberg.com</title><atom:summary type='text'>MARCH 30, 2010French Dropout  Hantai's Art Goes on Sale in Galleries: ReviewBy Katya KazakinaTo read more, please click here</atom:summary><link>http://paulrodgers9w.com/blog/2010/04/simon-hantai-bloombergcom.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-6416221878241516315</guid><pubDate>Wed, 14 Apr 2010 17:28:00 +0000</pubDate><atom:updated>2010-04-14T13:39:48.962-04:00</atom:updated><title>Eye on Culture: Simon Hantai</title><atom:summary type='text'>THE NEW YORKERMarch 29, 2010  Eye on Culture: Martine Fougeron on Simon  Hantai Read more: http://www.newyorker.com/online/blogs/photobooth/2010/03/martine-fougeron-simon-hantai.html#ixzz0l63sdPl8</atom:summary><link>http://paulrodgers9w.com/blog/2010/04/eye-on-culture-simon-hantai.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-5938931240092883202</guid><pubDate>Fri, 12 Feb 2010 19:31:00 +0000</pubDate><atom:updated>2010-02-17T12:39:09.044-05:00</atom:updated><title></title><atom:summary type='text'>Artforum Magazine has published a review by Rosalind Krauss of Peter Sacks' "Painting" exhibition in their February 2010 issue."Peter Sacks: Paul Rodgers / 9W" by Rosalind Krauss"These textual scrolls overlie a mixture of fabrics and corrugated board, the whole given a luminous sheen by washes of white acrylic. Their surfaces radiate the character of monochromes steamrolling over the thickened </atom:summary><link>http://paulrodgers9w.com/blog/2010/02/artforum-magazine-has-published-review.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-1182332320693250515</guid><pubDate>Sat, 21 Nov 2009 16:47:00 +0000</pubDate><atom:updated>2009-11-21T12:11:57.269-05:00</atom:updated><title>Peter Sacks- Artforum.com</title><atom:summary type='text'>Artforum.com published a review of Peter Sacks' "Paintings" Exhibition, in the "Critics Picks" column.Peter Sacks: "Paintings", by Leora Maltz-Leca"They are 'critical' Kantian paintings in this sense, although ones concerned less with cognitive bounds than with the multidimensional cartographies of consciousness that lie between, that is, with painting spinning thoughts and their unraveling. The </atom:summary><link>http://paulrodgers9w.com/blog/2009/11/peter-sacks-artforumcom.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-5056502009923694004</guid><pubDate>Sun, 20 Sep 2009 04:53:00 +0000</pubDate><atom:updated>2009-11-21T12:04:58.289-05:00</atom:updated><title>Peter Sacks: Paintings</title><atom:summary type='text'> Opening Reception: Thursday, October 29, 6-8 p.m.Paul Rodgers / 9W Gallery is pleased to announce "Paintings", an exhibition by American painter Peter Sacks. The exhibition consists of painting and collage in mixed media and in a variety of formats which extend to the monumental. The exhibition will be accompanied by a catalogue, commissioned by the gallery, with full color illustrations, </atom:summary><link>http://paulrodgers9w.com/blog/2009/09/peter-sacks-paintings.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-564723083270646115</guid><pubDate>Thu, 21 May 2009 19:04:00 +0000</pubDate><atom:updated>2009-11-21T12:04:04.994-05:00</atom:updated><title>Joseph Marioni - 'Contemplation Room' at Art Basel</title><atom:summary type='text'>Joseph Marioni exhibited a special installation at the Art Unlimited pavilion of the 2009 Basel Art Fair. A reception was held on Monday, June 8th.Marioni has conceived this special project as a model for painting environments that he proposes to create in specific public and private spaces. The unique element in Marioni's vision is that his paintings will be created on site and in an encounter </atom:summary><link>http://paulrodgers9w.com/blog/2009/05/joseph-marioni-contemplation-room-at.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-5322802717450690366</guid><pubDate>Fri, 27 Mar 2009 19:07:00 +0000</pubDate><atom:updated>2009-03-27T15:40:41.998-04:00</atom:updated><title>Lucinda Devlin - Lapham's Quarterly</title><atom:summary type='text'>Lapham's Quarterly, in their Spring 2009"Crimes &amp; Punishments" issue, featured Lucinda Devlin's photo Electric Chair, Holman Unit, Atmore, Alabama, 1991 from 'The Omega Suites.'  The photo was featured inside the article "Staking a Life" writen by Christopher Hitchens. To read the article, please click here.To see more of Lucinda Devlin's work, please visit the artist's page.</atom:summary><link>http://paulrodgers9w.com/blog/2009/03/lucinda-devlin-laphams-quarterly.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-7418897840546118807</guid><pubDate>Wed, 31 Dec 2008 22:47:00 +0000</pubDate><atom:updated>2009-11-21T10:44:48.946-05:00</atom:updated><title>Simon Hantai  - Wall Street Journal</title><atom:summary type='text'>The Wall Street Journal published an article about Simon Hantai and his son, harpsichordist and renowned musician, Pierre Hantai on December 31th, in the Life &amp; Style section.To read the article, please click hereThe Creative HarpsichordistBy BENJAMIN IVRY"Pierre Hantai's father is the French painter, Simon Hantai,one of the rare cases in history of a great painter siring a great musician" ...To </atom:summary><link>http://paulrodgers9w.com/blog/2009/01/simon-hanta-wall-street-journal.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-6062310474909867340</guid><pubDate>Tue, 30 Dec 2008 19:15:00 +0000</pubDate><atom:updated>2009-11-21T10:43:26.334-05:00</atom:updated><title>Simon Hantai - Art in America</title><atom:summary type='text'>Art in America published an obituary about Simon Hantai, written by Raphael Rubenstein, Art World section, in their December 2008 issue. To read this notice, please click here"...Hantai is hardly the only important Parisian artist to be ignored by the American art world since the so-called triumph of American painting, but he is, arguably, one of the most unfairly overlooked..."To read other </atom:summary><link>http://paulrodgers9w.com/blog/2008/12/simon-hanta-art-in-america.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-8218997815649622405</guid><pubDate>Thu, 30 Oct 2008 15:34:00 +0000</pubDate><atom:updated>2009-03-27T15:37:05.862-04:00</atom:updated><title>Joseph Marioni at the McNay</title><atom:summary type='text'>ARTMATTERS 13 - Joseph Marioni: Liquid LightOctober 22, 2008 - January 18, 2009Organized by the McNay, this exhibition features the lush, nearly monochromatic, light-filled paintings of New York based artist Joseph Marioni, drawn primarily from the artist's personal collection and installed according to his designs. The presentation is part of ARTMATTERS, a series of exhibitions that has recently</atom:summary><link>http://paulrodgers9w.com/blog/2008/10/joseph-marioni-at-mcnay.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-612597617080610266</guid><pubDate>Mon, 22 Sep 2008 18:53:00 +0000</pubDate><atom:updated>2009-11-21T10:43:55.639-05:00</atom:updated><title>Simon Hantai Dies at 85</title><atom:summary type='text'>EUROPEAN ARTIST, SIMON HANTAI(BORN BUDAPEST 1922/TO PARIS 1948)IS DEAD AT AGE EIGHTY FIVE Simon HantaI, artist of legendary reclusion, who nevertheless enjoyed almost mythical status in the French art world and a major position in the Pompidou Center's account of post-World War Two art, died in his sleep during the night of Thursday, September 11, at his home in the 14th arrondissement of </atom:summary><link>http://paulrodgers9w.com/blog/2008/10/simon-hantai-dies-at-85-new-york-times.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-7061037799779643582</guid><pubDate>Fri, 05 Sep 2008 20:08:00 +0000</pubDate><atom:updated>2009-01-06T15:00:57.992-05:00</atom:updated><title>Joseph Marioni - "Painting in the 21st Century"</title><atom:summary type='text'>Joseph Marioni participates in discourse symposium on "Painting in the 21st Century" at The Phillips Collection, September 27th 2008Engage in a discussion of contemporary art criticism and theory:Elisabeth Sussman, curator of photography at the Whitney Museum of American Art;Blake Gopnik, chief art critic of The Washington Post; art history professors Yves-Alain Bois (Harvard University), Stephen</atom:summary><link>http://paulrodgers9w.com/blog/2008/09/joseph-marioni-to-participate-in.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-6502248493611412747</guid><pubDate>Fri, 08 Aug 2008 20:12:00 +0000</pubDate><atom:updated>2008-10-02T16:54:43.351-04:00</atom:updated><title>Lucinda Devlin Images featured in "The Issues Issue" FLAUNT magazine</title><atom:summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "The Omega Suites" series were used in Flaunt Magazine "Issues Issue"</atom:summary><link>http://paulrodgers9w.com/blog/2008/08/lucinda-devlin-images-featured-in.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-2926354111107791094</guid><pubDate>Wed, 18 Jun 2008 15:26:00 +0000</pubDate><atom:updated>2009-01-06T15:02:28.693-05:00</atom:updated><title>Lucinda Devlin in EXIT</title><atom:summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from Ludinda Devlin's "Pleasure Ground" series was used in EXIT media issue 29 Peepshow.</atom:summary><link>http://paulrodgers9w.com/blog/2008/06/lucinda-devlin-in-exit.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-5241341076365947886</guid><pubDate>Sat, 12 Jan 2008 22:36:00 +0000</pubDate><atom:updated>2008-01-12T17:51:34.464-05:00</atom:updated><title>Lucinda Devlin "Omega Suites" in Time Magazine</title><atom:summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "Omega Suites" series was used to illustrate the article "Death Penalty Walking"by David Von Drehle in the January 14, 2008 issue of Time Magazine.To view the article click here</atom:summary><link>http://paulrodgers9w.com/blog/2008/01/lucinda-devlin-omega-suites-in-time.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-2125505532127757798</guid><pubDate>Thu, 18 Oct 2007 20:46:00 +0000</pubDate><atom:updated>2007-10-18T16:54:25.075-04:00</atom:updated><title>Lucinda Devlin Images included in 'Again' exhibit at the Wadsworth Antheneum</title><atom:summary type='text'>Paul Rodgers/9W gallery is pleased to announce the inclusion of several images from Lucinda Devlin's series 'Omega Suite' in the current exhibition  Again: Serial Practices in Contemporary Art at the Wadsworth Atheneum Museum of Art.On view September 22-December 30, 2007, this exhibition features works from the Micky Cartin collection gifted in recent years.To find out more about the exhibition </atom:summary><link>http://paulrodgers9w.com/blog/2007/10/lucinda-devlin-images-included-in-again.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-8505485200381505729</guid><pubDate>Tue, 31 Jul 2007 17:30:00 +0000</pubDate><atom:updated>2007-08-01T12:01:35.641-04:00</atom:updated><title>A Place Without A Place</title><atom:summary type='text'>Group show with Lucinda Devlin and Lynne CohenPaul Rodgers/9W gallery is pleased to announce the current exhibition of the 1st Biennale of the Thessaloniki Contemporary Art including the work of Lucinda Devlin in the exhibit A Place Without A Place. The Show held at the Photography Museum of Thessaloniki looks at interior spaces as subject matter for photography. The show also features the work </atom:summary><link>http://paulrodgers9w.com/blog/2007/07/place-without-place-group-show-with.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-6335004822021726788</guid><pubDate>Thu, 05 Jul 2007 15:19:00 +0000</pubDate><atom:updated>2007-10-18T16:46:05.789-04:00</atom:updated><title>Lucinda Devlin Images in Telegraph Magazine</title><atom:summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "Omega Suites" series was used to illustrate the article  "Lethal Care"by Atul Gawande   in the June 2, 2007 issue of Telegraph Magazine.To view the article click here</atom:summary><link>http://paulrodgers9w.com/blog/2007/07/lucinda-devlin-images-in-telegraph.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-2253041012280901482</guid><pubDate>Fri, 08 Jun 2007 16:32:00 +0000</pubDate><atom:updated>2007-06-08T14:10:46.184-04:00</atom:updated><title>Lucinda Devlin Water Rites Reviewed</title><atom:summary type='text'>along with exhibitions of: Stephen Shore, Andreas Gursky, Jeff Wall, Gregory Crewdson, David LaChapelle, Barry Frydlender, Kelli Connell, and Zoe Strauss.Paul Rodgers/9W gallery is pleased to announce that the recent show Water Rites, (April 19-May 26, 2007) was an Editors' Pick on Artinfo.comTo read part one of the article click hereTo read part two of the article click hereExpo -und </atom:summary><link>http://paulrodgers9w.com/blog/2007/06/lucinda-devlin-water-rites-reviewed.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-8897153344423595780</guid><pubDate>Tue, 15 May 2007 15:40:00 +0000</pubDate><atom:updated>2008-06-18T11:43:33.528-04:00</atom:updated><title>Lucinda Devlin in EXIT</title><atom:summary type='text'>Paul Rodgers/9W is pleased to announce that a selection from her "The Omega Suites" series were used in EXIT media issue 26 Prison.</atom:summary><link>http://paulrodgers9w.com/blog/2007/05/lucinda-devlin-in-exit.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-4028735055299758238</guid><pubDate>Sat, 05 May 2007 21:27:00 +0000</pubDate><atom:updated>2007-05-05T17:37:16.351-04:00</atom:updated><title>Tomer Ganihar at the 52nd  Venice Biennale</title><atom:summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the inclusion of work by Tomer Ganihar in the 52nd Venice Biennale.  His work will be in the group exhibition "Think with the Senses - Feel with the Mind. Art in the Present Tense" curated by Biennale director and curator Robert Storr.The show will be displayed in Corderie, the Arsenale Artiglierie and the Italian pavilion in the Giardini from June </atom:summary><link>http://paulrodgers9w.com/blog/2007/05/tomer-ganihar-at-52nd-venice-biennale.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-8160218098137227449</guid><pubDate>Fri, 30 Mar 2007 14:40:00 +0000</pubDate><atom:updated>2007-03-30T10:48:43.172-04:00</atom:updated><title>Lucinda Devlin group show, New York</title><atom:summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the inclusion of three images from Lucinda Devlin's "Omega Suites" in the group show Death Bizarre at the Center for Photography at Woodstock.For more information on the show please click here</atom:summary><link>http://paulrodgers9w.com/blog/2007/03/lucinda-devlin-group-show-new-york.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18734842.post-2797486277102340360</guid><pubDate>Fri, 30 Mar 2007 14:19:00 +0000</pubDate><atom:updated>2007-03-30T10:27:02.207-04:00</atom:updated><title>Lucinda Devlin group show, London</title><atom:summary type='text'>Paul Rodgers/9W Gallery is pleased to announce the inclusion of Lucinda Devlin's work "Lethal Injection Chamber from Family Witness Room, Parchman, Mississippi, 1998" from her "Omega Suites" in the exhibition Prison at Bloomberg SPACE. Prison will be on view March 31st- May 12th 2007 at Bloomberg SPACE, Finsbury Square, London EC2A 1PQ.</atom:summary><link>http://paulrodgers9w.com/blog/2007/03/lucinda-devlin-group-show-london.html</link><author>noreply@blogger.com (Paul Rodgers)</author></item></channel></rss>